Image from page 265 of “Furniture for the craftsman a manual for the student and machanic” (1914)

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Image from web page 265 of “Furnishings for the craftsman a manual for the student and machanic” (1914)
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Identifier: furnitureforcraf01otte
Title: Furniture for the craftsman a manual for the student and machanic
Year: 1914 (1910s)
Authors: Otter, Paul D. (Paul Denniston), b. 1866
Subjects: Furnishings generating Furniture finishing Cabinetwork
Publisher: New York, Davis Williams organization
Contributing Library: The Library of Congress
Digitizing Sponsor: Sloan Foundation

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ar filling piece 3 in. wide glued and closing up the end andprojecting to fill up the groove marked in dotted lines on outerpieces E, tenoned at one particular end in molded end D, and slotted outto acquire a 3^ x three-in. strip to slide loosely in slot in board C.This strip is to be glued into ends, E, C, and E to be partedsufficiently to slide smoothly. Soapstone or soap will permit ofa fair joint and smooth action to such work. F shows a drop-down hinged end secured to ends D. Many modifications could 262 Furniture FOR THE CRAFTSMAN be offered to this end—a strong board with some appropriate outershape, a tiny interior cutting, or applied ornament, suggestedor adapted. A Combination Bookcase and Writing Desk Mission furniture is now so prevalent in numerous homes thatFig. 260 is introduced as embodying critical features that abusy man or woman finds necessary when some of the days workof writing or checking more than accounts must be continued duringthe house hours. As shown in the sketch there are two book-

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FiG. 260.—General View of the Mixture Bookcase and Writing Desk. shelves at every single side of the writing desk with an overhead con-tinuation of book shelving obtaining a set height for smaller books.According to the half carcase program in Fig. 261, the position of thecorner and intermediate posts are clearly indicated, leaving anopen foot space in the middle front below the desk as might beseen from an inspection of big. 2(30. BOOKCASES AND HOLDERS 263 The connection amongst the four book posts is created by con-structing three paneled frames of ^-in. material and stiles andrails 2^ in. wide. The stiles project and are fitted with tenons,the best and bottom to enter mortise cuts in the posts, which arei]four in. square and 56 in. lengthy. In laying out a rough workingdrawing the outdoors measure of the case will be 14 x 65 in. and

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Image from page 27 of “Virginia, the Old Dominion, as seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of
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Identifier: virginiaolddomin00hutc
Title: Virginia, the Old Dominion, as observed from its colonial waterway, the historic river James, whose each succeeding turn reveals nation replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present time
Year: 1921 (1920s)
Authors: Hutchins, Frank W Hutchins, Cortelle
Subjects: Historic buildings Houseboats
Publisher: Boston, The Page Firm
Contributing Library: The Library of Congress
Digitizing Sponsor: Sloan Foundation

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ought, as homelike as boatingrequirements would permit. There have been twocabins, one particular at either finish of the craft. Be-tween these, and at one particular side of the passage-way connecting them, was what we alwaysthought of as the kitchen, but constantly tookcare to speak of as the galley. At 1st glance,, each of the cabins wouldbe taken as a common living-space. Each wasthat but also a little of almost everything else. Atcustomary intervals, one compartment or theother would turn into a dining-cabin. Again,innocent seeking bits of wall would give way,and there would appear beds, presses, lava-tories, and a lamentable lack of room. Both cabins were completed in old oak, darkand dead there is a superabundance ofbrightness on the water. The ceilings showedthe uncovered, dark carlines or rafters. Thewalls had, along the top, a row of niches forbooks and along the bottom, a deceptive sortof wainscoting, every panel of which was alocker door. In between book niches above andwainscoting beneath, the walls have been paneled in six

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THE HOUSEBOAT GADABOUT. ALL ABOUT GADABOUT green burlap with brown rope for molding.The furnishing was plain. The kitchen or galley was rather tiny askitchens go, and rather massive as galleys go.It would not do to tell all the items that werein it for anyone would see that they couldnot all be there. Possibly it would be wellto mention merely the gasoline stove, therefrigerator, the pump and sink, the wall-table, the cupboards for supplies, the closetfor the mans serAnng coats and aprons, theracks of blue willow ware dishes, and the bigsHding door. A single has to mention the big sliding doorfor it made such a difference. It worked upand down like a window-sash, and alwayssuggested the conundrum. When is a galleynot a galley? For when it was down, itdisclosed nothing at all and the galley was a galleybut when it was up, it disclosed a recess inwhich two small gasoline motors sat side byside, and the galley was an engine-room. It was a quite ingenious and inconvenientarrangement. Operating the

Note About Images
Please note that these pictures are extracted from scanned page images that may have been digitally enhanced for readability – coloration and look of these illustrations could not perfectly resemble the original work.

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